Spaceland Presents
La Femme
Naomi Greene
Thu October 12, 20178:00 pm
The Regent Theater
Los Angeles, CA

Direct from the Parisian overground French pop connoisseurs La Femme will release new album Mystère on the world this September. Hailing from Le Pré Saint Gervais and Ivry-sur-Seine’s winding rues, La Femme have made a huge mark on modern Paris’s cultural landscape, with the two sides of the city – the glamour and the grit – engrained in their music.
Ever since, the release of their debut album Psycho Tropical Berlin, that topped the French digital charts and the band appeared on national television as the Best New Band of the year at the French Music Awards, their rise has only gained momentum with fans including directors Jacques Audiard and Romain Gavras to legends Jean Michel Jarre and Hedi Slimane. More importantly, the album hit a note with the country’s young population – the group will headline a 6000-capacity arena hometown show this coming January.

Returning with a more psychedelic sound and a range of guest vocalists that slice through the starkest of electro beats, Mystère sees La Femme celebrating all that’s wonderful about their city. From the chattering tête-à-tête heard on ‘Conversations Nocturnes’ that leads into the throbbing disco beat of ‘SSD’ – a direct reference to the pulsing nightlife hotspot and multi-cultural district Strasbourg Saint Denis where the band continue to work and play equally hard – “are you ready to go out, under the threat of the town,” the lyrics translate. “You don’t want to give in and sometimes you need a bit of time to allow for your brain to take in the information and feel better about what’s happening,” they say.

Mystère’s true intrigue however, lies in La Femme’s enigmatic questioning of falling in and out of love. Like a compendium of short stories describing the loves and losses of every boy and girl, each song breaks down language barriers through inventive and astute knack for melody. The elation of a passionate encounter is captured on ‘Tatiana’s ricocheting electronics whilst melancholic acoustic guitar echoes the emptiness felt in ‘Le Vide Est Ton Nouveau Prenom’, the sorrow of a war-torn couple in ‘Psyzook’ and 13-minute wonder ‘Vagues’ is dripping in atmosphere recalling the band’s sun-kissed memories of their early days surfing in Biarritz. “Ou Va Le Monde is not about the matrix system… it’s about life and love. Because now is the end of the past and the beginning of the future,” explains guitarist Sacha Got.

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